Catch up on all the latest exhibition reviews across the Scottish art scene and further afield.
Review: Photographer Simon Murphy has been documenting the people of Govanhill in Glasgow since 1999, giving us an insight into one of Scotland’s most diverse areas.
Review: The Royal Scottish Academy (RSA) in Edinburgh is showing a major exhibition of William Gillies – one of its most accomplished Academicians and one of Scotland’s most influential painters.
Review: Specialising in contemporary Scottish artwork and sculpture, Graystone Gallery showcases four artists at its new home in Stockbridge, Edinburgh, who observe natural and urban environments with their own perspectives.
Review: The 11th edition of Out of Sight Out of Mind at Summerhall, Edinburgh features paintings, sculptures and installations by over 200 people with experience of mental health issues.
Review: Over 130 artworks have taken up residence in National Galleries Scotland’s new Scottish Galleries, showcasing 150 years of Scotland’s art.
Review: Barbara Hepworth and Laura Knight were among the eminent members of the Women’s International Art Club (1898-1978), highlighted in an exhibition at London’s Ben Uri Gallery.
Review: The Scottish Glass Society’s annual exhibition, at Glasgow’s Trades House, sees 23 members present their interpretations of national icons, from places and people to feeling and things.
Review: With over 1,700 artworks on show, Paisley’s Big Art Show is the biggest visual art exhibition the town has yet staged.
Review: While primarily known as a painter, it is Sean Scully’s more recent sculptures which take the lead in his exhibition ‘Smaller than the Sky’ at Houghton Hall in King’s Lynn, Norfolk.
Review: Anna King and Janette Kerr form a contrasting, impressionistic vision of land and sea at Open Eye Gallery, Edinburgh.
Review: An exhibition at London’s Tate Modern shows how two 20th-century artists – Hilma af Klint and Piet Mondrian – both arrived at abstraction through nature-study and spiritual beliefs.
Review: In South London Gallery’s current exhibition, thirteen Nigerian and Nigerian-British artists examine their immigration experiences through film, sound installations, and sculpture.
Review: The Scottish Gallery in Edinburgh is hosting an Edinburgh Art Festival exhibition looking at the life and work of Elizabeth Blackadder, whose legacy asserts her eminence as a leading Scottish artist.
Review: The Factory, a brand-new event space in Manchester, opened its doors last month with an immersive exhibition by Yayoi Kusama – one of the world’s most innovative artists.
Review: Marking the 10th anniversary of the death of the eminent artist John Bellany, a retrospective at Edinburgh’s Open Eye Gallery colourfully connects the Scottish and Italian worlds he captured in art.
Review: Lindsey Mendick’s exhibition at Jupiter Artland, Sh*tfaced, explores the dichotomy in her relationship with alcohol.
Review: At Glasgow Print Studio, Seher Shah’s first major solo exhibition in the UK brings together works on paper the artist has published with the Studio since 2014.
Review: Edinburgh’s Doubtfire Gallery is showing a joint exhibition by five contrasting artists, depicting their personal vision on a theme of flora, fauna and other wild things.
Review: As the revolutionary Little Black Dress approaches its centenary, the National Museum of Scotland in Edinburgh tracks its evolution, endless reworkings and continued cultural significance.
Review: This year at Maclaurin Gallery in Ayr, the Paisley Art Institute’s 134th Open Annual Exhibition covers a huge range of styles and media, with some 400 works on display.
Review: Previously the Glasgow Contemporary Art Fair, the newly-rebranded Reveal art fair has a new home at the SEC, with exhibitors from across the UK including art galleries, and professional and emerging artists, with prices from £50.
Review: Featuring print, textiles, video, sculpture and photography, Uprooted Visions at Edinburgh Printmakers is the culmination of a series of residencies by artists forced to leave their home countries.
Review: In her exhibition Tidal at &Gallery in Edinburgh, Lorraine Robson transforms the simple shape of seashells into fine sculptural art.
Review: Combining imagination with research, Morwenna Morrison’s exhibition at Arusha Gallery Edinburgh shows one way that contemporary art can be inspired by classic artistic genres.
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